Technology Business

In this day and age every one of us plays the role of DJ, whether that means picking out which tracks to play as a driver giving lifts to friends around town or putting on a playlist as host of a evening in with friends. But as we can tell from the norm of deejaying now depending on music being played on CDs or computer files, much of the DJ’s art has been abandoned in the post-vinyl age. Of course you can still buy records, indeed their larger format has been embraced anew by musicians who value album art. What is missing, however, is the correct equipment to play these records on. You may frequently pass charity shops whose baskets literally overflow with 7 inch and 10 inch discs of funk, soul, indie, pop and jazz. But when do we pass shops selling record players and their essential counterparts: speakers, phono stage, phono preamp and phono amp? The shameful answer is once in a very long time.

As the hip hop legends De La Soul sang in ‘The Magic Number’: ‘Everybody wants to be a DJ/Everybody wants to be an MC/But being speakers are the best/And you don’t have to guess’. This 1980s trio knew the worth of great equipment but they also had the luck of being surrounded by expert suppliers and occupying prime territory in the music scene. In our times, where many more of us are amateur DJs and do not know where to search for our speakers and amplifiers, we feel quite perplexed.

The baffling inconsistency of our times is that we have more choice than ever as consumers: the internet allows us to look worldwide for our purchases. This abundance of choice confuses us, however – if we really are musical amateurs we simply do not know which audio company to type into our search engine. Shopping for sound is an arduous task: at least with other commodities like clothes or decorations it is possible to base your choice on a picture. Unless you know exactly what you are doing, this is impossible: these are arcane devices.

Here are some tips: vinyl is all about the richness of sound. The job of a phono preamp is to bring the unique warmth of the record to your ears with very little interference. A genuine balanced output is what you are hankering for in a phono stage and an authentic reproduction of sound that cuts out crackles and privileges the beat is what every DJ or private audiophile deserves. The phono amp should contribute to better sound than digital media.

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Any self-respecting music aficionado knows that there is far more to experiencing great sound than simply selecting a list of quality tracks from top artists and then hitting play. Indeed, audiophiles have more technical factors to consider before they can enjoy a music-listening or deejaying session. If we think, for example, about how the majority music fans have something of a love of vinyl, it is fast realised that these listeners or DJs will require specialist sound equipment. A phono stage, also known as a phono preamp or phono amp, is one such specialist product that amplifies the audio signal received by any vinyl based music system before the sound reaches the speakers.

However, not all phono stages are the same; while any phono amp is capable of amplifying sound, the performance of this critical task can vary from excellent to terrible. This is because only the best phono stages achieve high levels of precision when they amplify.

When selecting a phono stage, it is therefore best to make precision a foremost concern. Keeping background noise to a minimum should be a matter of particular importance to those looking to transfer their vinyl collection to a digital format. In brief, it should be remembered that the quality of the music input as played on vinyl will be reflected in the eventual digital output. The analogue to digital transfer thus needs to be effected with optimum care and with investment in superior quality products: a better turntable and phono stage setup will ensure that the time spent on digitizing a music collection is not time wasted.

If the word investment inspires fear, you may be worrying in vain, because even some of the audio manufacturing companies that have achieved worldwide acclaim and offer bespoke services charge only a little more than a basic phono stage or phono amp supplier. In sum, if you care for your ears, and respect your favourite artists and your audience, just remember there may be more to be gained from your music with a reasonable phono preamp than what can be offered by a budget turntable.

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People collect LPs for a number of reasons. Some enthusiasts believe that it sounds better than modern music storage systems; the digitisation process can result in music feeling too ‘clean’, whereas the analogue method used by LPs is more authentic. Others may have a big record collection left over from the days before tapes, CDs and mp3s came along. Either way, if you want to play your record collection – and get best sound quality out of it – then you will need some specialist equipment. A phono stage (also known as a phono preamp or a phono amp) is the missing piece that you can use to link a turntable to modern stereo equipment. If you’re a music lover, then you will know that a chain is only as strong as its weakest link; you can’t expect to play good music on a bad stereo set and enjoy the result.

This can bring problems if you’ve forked out a lot of money on cutting-edge equipment. Mostly, modern stereo sets are designed to play CDs and mp3s, and sometimes tapes. What they are not designed to do is play records. There may be a plug in the back for you to connect your turntable, but that in itself doesn’t result in a good listening experience. The problem is that the signal that comes off a turntable is much lower than the signal that you get from a CD player.

You can get around this by turning the volume up high, but you will quickly realise that this doesn’t sound good. As well as amplifying the low-level signal of the music, you will also amplify all the hiss and buzz. The result will be your favourite records, ruined by static. Old amplifiers, intended to be used with turntables, took this into account. Modern stereos do not – and most won’t have a built-in adaptor, since it’s not economically viable. Why bother, when comparatively few people listen to vinyl any more?

The solution is a phono stage – an extra component that goes in between your turntable and stereo amplifier and speakers. This phono amp boosts the signal from the record deck and makes it usable to the stereo – meaning that you don’t get the static that occurs when you turn the volume up high. It is therefore crucial for rehabilitating your old LP collection, and if you have a good stereo then it’s worth investing in a decent phono amp, too.

Please visit http://www.whestaudio.co.uk/ for further information about this topic.

http://www.whestaudio.co.uk/

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